|
Focal Length (mm) |
Field of View (degrees) |
|
8 |
180 |
|
14 |
106 |
|
18 |
100 |
|
21 |
92 |
|
24 |
84 |
|
28 |
74 |
|
35 |
62 |
|
50 |
46 |
|
85 |
28 |
|
105 |
23 |
|
135 |
18 |
|
200 |
12 |
|
300 |
8 |
|
400 |
5 |
|
600 |
4 |
|
1200 |
2 |
The focal length of a lens controls not only how much of a scene is captured and which elements of a scene are in focus, but also perspective. It is therefore a consideration of fundamental importance when planning an image, and one which a photographer must understand.
The focal length of a lens is defined, for a subject at infinity, as the distance between the image plane and the point from which the image is projected. This can be readily understood by cutting a rectangular hole in a piece of card, and then viewing a particular subject through the hole while holding the card at various distances from the eye. When the card is close to the eye it is possible to see a wide angle of view, but as it is moved further away so the angle of view decreases. If the latter narrow-angle scene is then enlarged to the same size as the wide-angle view, the subject becomes larger.
The
all important apparent difference in perspective exhibited by wide-angle and
telephoto lenses comes about because of the change in reproduction ratio
or magnification. A subject which fills the viewfinder when using a
telephoto lens must be approached must more closely to capture a similar
image with a wide-angle lens. The two views therefore appear subtly different and the apparent relative positions of objects with an image
may change. A telephoto lens has the effect of compressing distances,
making background detail appear closer to a foreground subject than was
actually the case. Wide-angle lenses have the opposite effect, and tend
to exaggerate distances between objects. Standard lenses are designed to
produce a field of view and perspective close to those of the human eye.
However, bear in mind that perceived differences do not actually exist
in a strict optical sense, as all lenses obey the same basic rules. The
telephoto view of a subject can be cut from the centre of a wide-angle
view taken from the same location. It is the change of viewpoint that
makes all the difference.