Focal Length

Focal Length (mm)

Field of View (degrees)

8

180

14

106

18

100

21

92

24

84

28

74

35

62

50

46

85

28

105

23

135

18

200

12

300

8

400

5

600

4

1200

2

The focal length of a lens controls not only how much of a scene is captured and which elements of a scene are in focus, but also perspective. It is therefore a consideration of fundamental importance when planning an image, and one which a photographer must understand.

 

The focal length of a lens is defined, for a subject at infinity, as the distance between the image plane and the point from which the image is projected.  This can be readily understood by cutting a rectangular hole in a piece of card, and then viewing a particular subject through the hole while holding the card at various distances from the eye. When the card is close to the eye it is possible to see a wide angle of view, but as it is moved further away so the angle of view decreases. If the latter narrow-angle scene is then enlarged to the same size as the wide-angle view, the subject becomes larger.

The all important apparent difference in perspective exhibited by wide-angle and telephoto lenses comes about because of the change in reproduction ratio or magnification. A subject which fills the viewfinder when using a telephoto lens must be approached must more closely to capture a similar image with a wide-angle lens. The two views therefore appear subtly different and the apparent relative positions of objects with an image may change. A telephoto lens has the effect of compressing distances, making background detail appear closer to a foreground subject than was actually the case. Wide-angle lenses have the opposite effect, and tend to exaggerate distances between objects. Standard lenses are designed to produce a field of view and perspective close to those of the human eye. However, bear in mind that perceived differences do not actually exist in a strict optical sense, as all lenses obey the same basic rules. The telephoto view of a subject can be cut from the centre of a wide-angle view taken from the same location. It is the change of viewpoint that makes all the difference.